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Not Every Mountain is the first episode in Perverse Results, our long-form experiment in episodic collaboration. Episode 2, Gragariart, by Lana Lesley & Peter Stopschinski, will be presented August 2017.
ABOUT PERVERSE RESULTS
The Content
Perverse Results is a new performance for the stage investigating unintended consequences – those outcomes that are not foreseen or expected when we undertake an action. We’re excited to focus specifically on the perverse results (outcomes which are diametrically opposed to our intentions) that we have on the various environments we inhabit or migrate through. We’ll be interrogating themes of displacement, containment, home, neighborhood, and agency in the inherited built environment.
The Process
Rather than congregating to make one cohesive piece over time, we are splitting up into smaller creation teams and building Perverse Results in episodes that will eventually be used to create one evening of theater, or we might destroy collaboration. We don’t know.
The next episode of Perverse Results, Episode 2, is Gregariart – a noise and music excavation of the Ikea catalogue by Peter Stopschinski and Lana Lesley. The first draft will be shared in August 2017.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.
Six immersive experiments about drugs, healers, and the unknown. Each performance invites the audience to take part in an interactive aspect of this play-in-development.This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Co-Producing Artistic Director Kirk Lynn will lead a 90-minute workshop on collaborative creation. Participants will work together in groups to create performance pieces. Pieces will be shared with each other, and then we will all gather ’round for a boozy snacky hangout afterwards.
Class size is limited – reserve your spot today!
We’re excited you are coming to create with us. Please oh please if you decide to not show up, let us know – shoot us an email – so we can make your seat available to someone else.
Please arrive in time to warm up. Please come dressed to move, bring writing materials and your favorite songs.
We’re putting on a Salon. It’s FREE, join us!
To celebrate our 20th anniversary, we’ve assembled an all-star line-up of Rude academics for an evening of rollicking yet rigorous conversation over food and drink. Performance studies, queer theory, feminism, whiteness, experimental art, running a collective, community building, big feelings, and more: this will be a not-to-be-missed meeting of the minds!
As much as Rude Mechs has been influenced by Austin’s music scene, we’ve always had strong ties to the academic world too, especially at The University of Texas at Austin. From 1990s rehearsals in the ROTC building and Parlin Hall, to dissertations being written on the Rudes today, from our own undergraduate years, to our recent tenure as Resident Theatre Company to the Department of Theater and Dance, the Rudes have benefitted from smart professor audiences and supporters. One of the Artistic Directors is even a professor himself now.
