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where: Sahara Lounge, 1413 Webberville Rd., Austin, TX 78721
registration: FREE!
time: 3:30 p.m. to 6:30 p.m., as soon as we find the funny, drinks are on Lana!

ABOUT THE WORKSHOP
This is the workshop Hannah led for Rude Mechs when she introduced her stand-up to us. We loved it and immediately incorporated the work into the play we were creating at the time, Field Guide. It’s a low-pressure, high-fun way to write about yourself and what you are taking in as you move through the world. We have the whole joint to ourselves. We’ll write, we’ll share, there’ll be a mic and a stool. And when we’re done, we’ll toast ourselves!
Rude Mechs is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, and by a grant from the Texas Commission on the Arts.
where: Carousel Lounge, 1110 E. 52nd St., Austin, TX 78752
tickets: FREE!
time: 9:30pm, right after Rebecca Havemeyer’s High Class! A Salon of Educational & Recreational Distractions. Rebecca’s show starts at 7:30pm, doors at 7:00pm – $5 Entry

ABOUT THE PLAY
Grageriart is a sonic exploration of your favorite home shopping catalogue performed by Lana Lesley (vocals, synth) and Peter Stopschinski (vocals, synth).
Paul Soileau is going to join Peter and Lana very soon to start making a stage show version. So stay tuned for that jazz. It should be around May 2018.
Rude Mechs is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, and by a grant from the Texas Commission on the Arts.
ABOUT THE PLAY
ABOUT THE PLAYGRA • JAIR • EEEE • ART
We’ll be at New Media Art and Sound Summit at 9pm. It says it’s the Shape Orchestra, but it’s really Grageriart. We slid in there. Like we do.
Grageriart is Lana Lesley and Peter Stopschinski.
Grageriart is a sound and music excavation of a home shopping catalogue.
Grageriart will benefit from Paul Soileau’s art brain throughout this coming year.
Grageriart will happen again in August at Carousel Lounge.

Perverse Results, Episode 1: Not Every Mountain
created by Rude Mechs
written by Kirk Lynn
designed by Thomas Graves
original music composed by Peter Stopschinski
featuring Eva Claycomb, Pete Dahlberg, Thomas Graves, Kevin Jacaman, Sadé Jones, Jennifer Kidwell, Derek Kolluri, Kirk Lynn, and Kelsey Oliver
costume design by Aaron Flynn, lighting design by Brian H Scott, scenic design by Pete Dahlberg
ABOUT PERVERSE RESULTS
The Content
Perverse Results is a new performance for the stage investigating unintended consequences – those outcomes that are not foreseen or expected when we undertake an action. We’re excited to focus specifically on the perverse results (outcomes which are diametrically opposed to our intentions) that we have on the various environments we inhabit or migrate through. We’ll be interrogating themes of displacement, containment, home, neighborhood, and agency in the inherited built environment.
The Process
Rather than congregating to make one cohesive piece over time, we are splitting up into smaller creation teams and building Perverse Results in episodes that will eventually be used to create one evening of theater, or we might destroy collaboration. We don’t know.
The next episode of Perverse Results, Episode 2, is Gregariart – a noise and music excavation of the Ikea catalogue by Peter Stopschinski and Lana Lesley. The first draft will be shared in August 2017.

Perverse Results, Episode 1: Not Every Mountain
created by Rude Mechs
written by Kirk Lynn
designed by Thomas Graves
original music composed by Peter Stopschinski
featuring Eva Claycomb, Pete Dahlberg, Thomas Graves, Kevin Jacaman, Sadé Jones, Jennifer Kidwell, Derek Kolluri, Kirk Lynn, and Kelsey Oliver
costume design by Aaron Flynn, lighting design by Brian H Scott, scenic design by Pete Dahlberg
ABOUT PERVERSE RESULTS
The Content
Perverse Results is a new performance for the stage investigating unintended consequences – those outcomes that are not foreseen or expected when we undertake an action. We’re excited to focus specifically on the perverse results (outcomes which are diametrically opposed to our intentions) that we have on the various environments we inhabit or migrate through. We’ll be interrogating themes of displacement, containment, home, neighborhood, and agency in the inherited built environment.
The Process
Rather than congregating to make one cohesive piece over time, we are splitting up into smaller creation teams and building Perverse Results in episodes that will eventually be used to create one evening of theater, or we might destroy collaboration. We don’t know.
The next episode of Perverse Results, Episode 2, is Gregariart – a noise and music excavation of the Ikea catalogue by Peter Stopschinski and Lana Lesley. The first draft will be shared in August 2017.

Perverse Results, Episode 1: Not Every Mountain
created by Rude Mechs
written by Kirk Lynn
designed by Thomas Graves
original music composed by Peter Stopschinski
featuring Eva Claycomb, Pete Dahlberg, Thomas Graves, Kevin Jacaman, Sadé Jones, Jennifer Kidwell, Derek Kolluri, Kirk Lynn, and Kelsey Oliver
costume design by Aaron Flynn, lighting design by Brian H Scott, scenic design by Pete Dahlberg
ABOUT PERVERSE RESULTS
The Content
Perverse Results is a new performance for the stage investigating unintended consequences – those outcomes that are not foreseen or expected when we undertake an action. We’re excited to focus specifically on the perverse results (outcomes which are diametrically opposed to our intentions) that we have on the various environments we inhabit or migrate through. We’ll be interrogating themes of displacement, containment, home, neighborhood, and agency in the inherited built environment.
The Process
Rather than congregating to make one cohesive piece over time, we are splitting up into smaller creation teams and building Perverse Results in episodes that will eventually be used to create one evening of theater, or we might destroy collaboration. We don’t know.
The next episode of Perverse Results, Episode 2, is Gregariart – a noise and music excavation of the Ikea catalogue by Peter Stopschinski and Lana Lesley. The first draft will be shared in August 2017.