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Performing Collaborators
Sarah Annie Navarrete, Celeste Camfield, Aída Hernandez-Reyes, Dany Casey, Ciceley Fullylove, Leo Briggs
Production Collaborators
EG Gionfriddo, Eliot Gray Fisher, Celine Lassus
Ticketing/Seating Options:
There are two ways to enjoy the Void*
Floor Seating:
With this ticket option, you will sit in-the-round and occasionally be asked to get up from your seat and move to a new seat on the floor. You will be clearly cued by the performers when to do this.
Stadium Seating:
With this ticket option, you will have a view of the stage from the risers, We recommend this option if you desire less mobility during the performance or if you prefer a “birds eye view” of the action.
*Industry Night (Monday 11/24) seats will be claimed on a first-come, first-served basis with flexible pricing (minimum $10).
About arcos
Performing Collaborators
Sarah Annie Navarrete, Celeste Camfield, Aída Hernandez-Reyes, Dany Casey, Ciceley Fullylove, Leo Briggs
Production Collaborators
EG Gionfriddo, Eliot Gray Fisher, Celine Lassus
Ticketing/Seating Options:
There are two ways to enjoy the Void*
Floor Seating:
With this ticket option, you will sit in-the-round and occasionally be asked to get up from your seat and move to a new seat on the floor. You will be clearly cued by the performers when to do this.
Stadium Seating:
With this ticket option, you will have a view of the stage from the risers, We recommend this option if you desire less mobility during the performance or if you prefer a “birds eye view” of the action.
*Industry Night (Monday 11/24) seats will be claimed on a first-come, first-served basis with flexible pricing (minimum $10).
About arcos
Performing Collaborators
Sarah Annie Navarrete, Celeste Camfield, Aída Hernandez-Reyes, Dany Casey, Ciceley Fullylove, Leo Briggs
Production Collaborators
EG Gionfriddo, Eliot Gray Fisher, Celine Lassus
Ticketing/Seating Options:
There are two ways to enjoy the Void*
Floor Seating:
With this ticket option, you will sit in-the-round and occasionally be asked to get up from your seat and move to a new seat on the floor. You will be clearly cued by the performers when to do this.
Stadium Seating:
With this ticket option, you will have a view of the stage from the risers, We recommend this option if you desire less mobility during the performance or if you prefer a “birds eye view” of the action.
*Industry Night (Monday 11/24) seats will be claimed on a first-come, first-served basis with flexible pricing (minimum $10).
About arcos
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
Los Frutos de la Muerte follows two estranged, Guatemalan half-sisters cleaning up a deceased tía Adela’s apartment to avoid a huge fine. Ixq’anil, a janitor, wants to chemically clean the place because they don’t know what killed Adela. Isabela, a curandera, wants to cleanse the space with herbs so they don’t disturb her aunt’s spirit. As the fight gets to a rotten place, they unearth an old journal with extensive properties of various fungi intertwined with their family histories, upending the family history they knew. Will they finish the task in time without killing each other? And where is that smell coming from?!
Glass Half Full Theatre innovates performance structure and audience experience with original works featuring humans and puppets. Our work elevates environmental and social justice issues with a focus on Latiné communities. Our bilingual performances cross linguistic and cultural boundaries towards the heart of the imagination, where artists and audiences examine how oppressive power structures work and how they can be overcome.
