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IN BRIEF:
This issue is dedicated to telling you we are in rehearsal until May. In the meantime, here are just a few events to keep you busy – our friends are making great art that we hope you will get out and support!

Austin Film Festival presents

A TRIP TO BOUNTIFUL
part of their Made in Texas: Adaptations Series

When: Wednesday, March 14th at 7:30pm
Where: Texas Spirit Theater at the Bob Bullock Museum
Tickets: $5 (print this newsletter and get $1 off the ticket price when you show it at the door!)
Parking: Free parking in the museum parking lot after 6pm

Our own Kirk Lynn will moderate the post-screening Q&A, with Producer Dennis Bishop (THE FAST AND THE FURIOUS, HBO Pictures, “Dexter”) in attendance!

Don’t miss this rare opportunity to see one of the finest stage-to-screen adaptations of all time, THE TRIP TO BOUNTIFUL, written by legendary playwright, Horton Foote (inaugural recipient of Austin Film Festival’s Distinguished Screenwriter award). This moving, magnificent film won the hearts of moviegoers and theatergoers everywhere in the 1980s, as well as a Best Actress Academy Award for star Geraldine Page.
Page won the Oscar® for her portrayal of Carrie Watts, a sixty year old woman living with her son and daughter-in-law in 1940’s Houston, Texas. Carrie wants nothing more than to return to her hometown one more time before she dies, but her son and his wife don’t think it’s a good idea. Picking the right time, Carrie escapes and begins her trip.

Rubber Repertory presents

JUBILEE

When: April 5 – April 21, 2012
Where: The Off Center
Tickets: $15 (Thursdays are PWYW)
Get Tix Here

What’s wonderful about Rubber Repertory is that they take the concepts, the tenets, the expectations of theatre, and blow them out of the water.” -Avimaan Syam, Austin Chronicle

This will be Rubber Repertory’s last show before an indeterminate hiatus, and they’re looking for more than just a good idea; they’re looking for atonement. They want to find the very proper time to sound the trumpet. They want to put on the clothes that will make them disappear. They want to arrange their bodies in a way that gives real comfort. Part dance and all devotion, JUBILEE is a nonstop, non-narrative, and non-denominational leap of faith. [NOTE: To carnal minds they may appear to act absurdly, but the path of duty is rarely the path of safety.]

ABOUT RUBBER REPERTORY: Since 2002, Co-Directors Josh Meyer and Matt Hislope have created some of the most unique theatre in Texas. With shows such as Biography of Physical Sensation, The Casket of Passing Fancy (2007 Rockefeller MAP Fund grant), Surprise Annie, RED CANS, At Home With Dick, and the American premiere of Wallace Shawn’s notoriously “unstageable” A Thought in Three Parts, Rubber Rep pushes boundaries and creates work that’s high on invention and surprise. Their productions have garnered B. Iden Payne and Austin Critics Table Awards for “Outstanding Theatrical Innovation,” “Outstanding Direction,” “Unique Theatrical Experience,” and “Outstanding Late-Night Adventure.” For more information, visit www.rubberrep.org.

Dance Umbrella and Fusebox Festival present

GLORIA’S CAUSE

When: April 26-27, 2012 7:00 pm, and April 28, 2012 9:00pm
Bonus: Dayna Hanson’s band, Today!, plays Friday, April 27, 2012 at Fusebox’s late night venue.
Where: The Off Center
Show Info: Fusebox Festival website
Tickets: Get your Fusebox Festival Pass while there’s still a discount available!

Inspired by the complex ironies of the American Revolution, Gloria’s Cause is a full-length dance theater work by 33 Fainting Spells’ co-founder Dayna Hanson (the amazing woman who choreographed the dances in I’ve Never Been So Happy). Co-commissioned by On the Boards and Under The Radar Festival, this rock-driven piece exhumes the colonies’ forgotten players and offers a layered, colorful and gritty look at the roots of America’s inequities.

ABOUT DAYNA HANSON: A 2006 Guggenheim Fellow in Choreography and 2010 United States Artists Oliver Fellow in Dance, Hanson is joined by longtime collaborators Dave Proscia and Peggy Piacenza. Seattle-based performers Wade Madsen, Maggie Brown, Paul Moore, Jim Kent, Pol Rosenthal and Jessie Smith join the cast, together creating a kinetic, darkly funny world where incongruous sources clash and morph. After multiple presentations of 33 Fainting Spells’ work by Dance Umbrella in the past, Dayna returns to Austin in this co-presentation between Fusebox and Dance Umbrella, hosted by Rude Mechs.

Tell the nearest Grrl to apply to Grrl Action Summer Workshop!

When: June 25 – July 15, 2012

Where: The Off Shoot (2211-A Hidalgo St., Austin, TX 78702)

The Grrl Action Summer Workshop is a three-week intensive workshop for teenaged girls, run by Rude Mechs, in which girls envision, create, publish, and perform original works for the stage based on their own life experiences. The three-week intensive culminates in two performances that are free to the public. Don’t miss them!
Support Grrl Action: Grrl Action is reliant on donations from the community and local foundation grants.

We hope you will contribute to sustain this invaluable program.

A Rude update seems in order

We premiered I’ve Never Been So Happy in Los Angeles at Center Theatre Group’s Kirk Douglas Theater in October, and while we were having a blast, building good houses, and getting mixed reviews, we happily accepted a few awards for INBSH from the B. Iden Payne Awards.
At the same time, we produced a beautiful re-creation Mabou Mines’ amazing play, The B. Beaver Animation, to somewhat confused houses. We promise to offer a little more background and support for the next installment in our Contemporary Classics series.
The Method Gun, a project of Creative Capital, was filmed by OntheBoards TV and is available at ontheboards.tv – we get 50% of all the income, so download away! Just remember that video of live performance is, well, video of live performance…
We mounted a wee work-in-progress showing of CL1000P (working title, still, yes), which we are rehearsing right now for a full production in May. Stay tuned!
Then we toured The Method Gun to Brisbane Powerhouse’s World Theatre Festival in Brisbane Australia – could not have had more fun. If you were ever curious about what the City of Austin could have done with the Seaholm, check out Brisbane Powerhouse.